General
Medium DVD
Production Year 1997
Certification PG-13 (USA)
Genre Drama; Action & Adventure; Adventure; Romance
Region Region 1
Nationality USA
Format
Amazon Link Buy from Amazon.com
Original Title
Cast
Actor/Actress Role
Abernathy, Lewis Jack Dawson
Amis, Suzy Rose DeWitt Bukater
Barry, Jason Caledon 'Cal' Hockley
Bates, Kathy Molly Brown
Cascone, Nicholas Ruth Dewitt Bukater
Stuart, Gloria Old Rose
Paxton, Bill Brock Lovett
Hill, Bernard Captain Smith
Warner, David Spicer Lovejoy
Garber, Victor Thomas Andrews
Hyde, Jonathan Bruce Ismay
Amis, Suzy Lizzy Calvert
Abernathy, Lewis Lewis Bodine
Cascone, Nicholas Bobby Buell
Sagalevitch, Dr. Anatoly M. Anatoly Milkailavich
Nucci, Danny Fabrizio
Barry, Jason Tommy Ryan
Stewart, Ewan 1st Officer Murdoch
Gruffudd, Ioan 5th Officer Harold Lowe
Phillips, Jonathan 2nd Officer Lightoller (as Jonny Phillips)
Chapman, Mark Lindsay Chief Officer Wilde
Graham, Richard Quartermaster Rowe
Brightwell, Paul Quartermaster Hichens
Donachie, Ron Master at Arms
Braeden, Eric John Jacob Astor
Chatton, Charlotte Madeleine Astor
Fox, Bernard Col. Archibald Gracie
Ensign, Michael Benjamin Guggenheim
Brett, Fannie Madame Aubert
Goldstein, Jenette Irish Mommy
Roos, Camilla Overbye Helga Dahl
Kerns, Linda 3rd Class Woman
Gaipa, Amy Trudy Bolt
Jarvis, Martin Sir Duff Gordon
Ayres, Rosalind Lady Duff Gordon
Rose, Rochelle Countess of Rothes
Evans-Jones, Jonathan Wallace Hartley
Walsh, Brian Irish Man
Taylor, Rocky Bert Cartmell
Owens, Alexandrea Cora Cartmell (as Alexandre Owens)
Crane, Simon 4th Officer Boxhall
Fletcher, Edward 6th Officer Moody
Anderson, Scott G. Frederick Fleet
East, Martin Lookout Lee
Kelly, Craig Harold Bride
Cooke, Gregory Jack Phillips
Tuohy, Liam Chief Baker Joughin
Lancaster, James Father Byles
Raven, Elsa Ida Strauss
Palter, Lew Isidor Straus
Thompson, III, Reece P. Irish Little Boy
Landis, Laramie Irish Little Grl
Waddell, Amber Cal's Crying Girl
Waddell, Alison Cal's Crying Girl
Truitt, Mark Rafael Yaley
Walcutt, John 1st Class Husband
Forestal, Terry Chief Engineer Bell (as Terry Forrestal)
Lea, Derek Leading Stoker Barrett
Ashton, Richard Carpenter John Hutchinson
Nepita, Sean Elevator Operator (as Sean M. Nepita)
Connolly, Brendan Scotland Road Steward
Cronnelly, David Crewman
Wilton, Garth 1st Class Waiter
Laing, Martin Promenade Deck Steward
Fox, Richard Steward #1
Meaney, Nick Steward #2
Owers, Kevin Steward #3
Capri, Mark Steward #4
Cass, Marc Hold Steward #1
Herbert, Paul Hold Steward #2
James, Emmett 1st Class Steward
Byrne, Chris Stairwell Steward (as Christopher Byrne)
Page, Oliver Steward Barnes
Garrett, James Titanic Porter
Holland, Erik Olaf Dahl
Kinnunen, Jari Bjorn Gunderson
Falk, Anders Olaus Gunderson
Hub, Martin Slovakian Father
Adkins, Seth Slovakian 3 Year Old Boy
Dennen, Barry Praying Man
Urich, Vern Man in Water
Klingler, Rebecca Mother at Stern (as Rebecca Jane Klingler)
O'Neil, Tricia Woman
Dunn, Kathleen S. Woman in Water (as Kathleen Dunn)
Francis, Romeo Syrian Man
Marino, Mandana Syrian Woman
Van Ling, Chinese Man
Olsen, Bjørn Olaf (as Bjørn)
Pettersson, Dan Sven
Duffin, Shay Pubkeeper
Ellis, Greg Carpathia Steward
Morgan, Diana News Reporter
Hasler, Lorenz Orchestra Member (as I salonisti)
Füri, Thomas Orchestra Member (as I salonisti)
Szedlák, Ferenc Orchestra Member (as I salonisti)
Szedlák, Béla Orchestra Member (as I salonisti)
Giger, Werner Orchestra Member (as I salonisti)
Murphy, Patrick Steerage Band Member (as Gaelic Storm)
Wehmeyer, Stephen Steerage Band Member (as Gaelic Storm)
Other People
Director
Producer
Writer Cameron, James
Composer
Studio Paramount
Features
Language Tracks Spanish; French; English; German; Swedish; Italian; Russian
Subtitle Languages
Audio Tracks Dolby Digital 2.0 Surround; DTS 70 Mm; DTS; Dolby Digital; SDDS
Running Time 194
Aspect Ratio 2.35:1
Color Mode Color
Plot Summary

When the theatrical release of James Cameron's Titanic was delayed from July to December of 1997, media pundits speculated that Cameron's $200 million disaster epic would cause the director's downfall, signal the end of the blockbuster era, and sink Paramount Studios as quickly as the ill-fated luxury liner had sunk on that fateful night of April 14, 1912. Some studio executives were confident, others horrified, but the clarity of hindsight turned Cameron into an Oscar-winning genius, a shrewd businessman, and one of the most successful directors in the history of motion pictures. Titanic would surpass the $1 billion mark in global box-office receipts (largely due to multiple viewings, the majority by teenage girls), win 11 Academy Awards including best picture and director, produce the best-selling movie soundtrack of all time, and make a global superstar of Leonardo DiCaprio. A bona fide pop-cultural phenomenon, the film has all the ingredients of a blockbuster (romance, passion, luxury, grand scale, a snidely villain, and an epic, life-threatening crisis), but Cameron's alchemy of these ingredients proved more popular than anyone could have predicted. His stroke of genius was to combine absolute authenticity with a pair of fictional lovers whose tragic fate would draw viewers into the heart-wrenching reality of the Titanic disaster. As starving artist Jack Dawson and soon-to-be-married socialite Rose DeWitt Bukater, DiCaprio and Kate Winslet won the hearts of viewers around the world, and their brief but never-forgotten love affair provides the humanity that Cameron needed to turn Titanic into an emotional experience. Present-day framing scenes (featuring Gloria Stuart as the 101-year-old Rose) add additional resonance to the story, and although some viewers proved vehemently immune to Cameron's manipulations, few can deny the production's impressive achievements. Although some of the computer-generated visual effects look artificial, others--such as the sunset silhouette of Titanic during its first evening at sea, or the climactic splitting of the ship's sinking hull--are state-of-the-art marvels. In terms of sets and costumes alone, the film is never less than astounding. More than anything else, however, the film's overwhelming popularity speaks for itself. Titanic is an event film and a monument to Cameron's risk-taking audacity, blending the tragic irony of the Titanic disaster with just enough narrative invention to give the historical event its fullest and most timeless dramatic impact. Titanic is an epic love story on par with Gone with the Wind, and like that earlier box-office phenomenon, it's a film for the ages. --Jeff Shannon

When the theatrical release of James Cameron's Titanic was delayed from July to December of 1997, media pundits speculated that Cameron's $200 million disaster epic would cause the director's downfall, signal the end of the blockbuster era, and sink Paramount Studios as quickly as the ill-fated luxury liner had sunk on that fateful night of April 14, 1912. Some studio executives were confident, others horrified, but the clarity of hindsight turned Cameron into an Oscar-winning genius, a shrewd businessman, and one of the most successful directors in the history of motion pictures. Titanic would surpass the $1 billion mark in global box-office receipts (largely due to multiple viewings, the majority by teenage girls), win 11 Academy Awards including best picture and director, produce the best-selling movie soundtrack of all time, and make a global superstar of Leonardo DiCaprio. A bona fide pop-cultural phenomenon, the film has all the ingredients of a blockbuster (romance, passion, luxury, grand scale, a snidely villain, and an epic, life-threatening crisis), but Cameron's alchemy of these ingredients proved more popular than anyone could have predicted. His stroke of genius was to combine absolute authenticity with a pair of fictional lovers whose tragic fate would draw viewers into the heart-wrenching reality of the Titanic disaster. As starving artist Jack Dawson and soon-to-be-married socialite Rose DeWitt Bukater, DiCaprio and Kate Winslet won the hearts of viewers around the world, and their brief but never-forgotten love affair provides the humanity that Cameron needed to turn Titanic into an emotional experience. Present-day framing scenes (featuring Gloria Stuart as the 101-year-old Rose) add additional resonance to the story, and although some viewers proved vehemently immune to Cameron's manipulations, few can deny the production's impressive achievements. Although some of the computer-generated visual effects look artificial, others--such as the sunset silhouette of Titanic during its first evening at sea, or the climactic splitting of the ship's sinking hull--are state-of-the-art marvels. In terms of sets and costumes alone, the film is never less than astounding. More than anything else, however, the film's overwhelming popularity speaks for itself. Titanic is an event film and a monument to Cameron's risk-taking audacity, blending the tragic irony of the Titanic disaster with just enough narrative invention to give the historical event its fullest and most timeless dramatic impact. Titanic is an epic love story on par with Gone with the Wind, and like that earlier box-office phenomenon, it's a film for the ages. --Jeff Shannon

84 years later a 100-year-old woman named Rose DeWitt Bukator tells the story to her granddaughter Lizzy Calvert, Brock Lovett, Lewis Bodine, Bobby Buell, and Anatoly Mikailavich on the Keldysh about her life set in April 10th 1912, on a ship called Titanic when young Rose boards the departing ship with the upper-class passengers and her mother, Ruth DeWitt Bukater, and her fianc�, Caledon Cal Hockley. Meanwhile, a drifter and artist named Jack Dawson and his best friend Fabrizio De Rossi win third-class tickets to the ship in a game. And she explains the whole story from departure until the death of Titanic on its first and last voyage April 15th, 1912 at 2:20 in the morning. Written by Anthony Pereyra {hypersonic91@yahoo.com}

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