|
| General |
| Medium |
DVD |
| Production Year |
1997 |
| Certification |
PG-13 (USA) |
| Genre |
Drama; Action & Adventure; Adventure; Romance |
| Region |
Region 1 |
| Nationality |
USA |
| Format |
|
| Amazon Link |
Buy from Amazon.com |
| Original Title |
|
| Cast |
| Actor/Actress |
Role |
| Abernathy, Lewis |
Jack Dawson |
| Amis, Suzy |
Rose DeWitt Bukater |
| Barry, Jason |
Caledon 'Cal' Hockley |
| Bates, Kathy |
Molly Brown |
| Cascone, Nicholas |
Ruth Dewitt Bukater |
| Stuart, Gloria |
Old Rose |
| Paxton, Bill |
Brock Lovett |
| Hill, Bernard |
Captain Smith |
| Warner, David |
Spicer Lovejoy |
| Garber, Victor |
Thomas Andrews |
| Hyde, Jonathan |
Bruce Ismay |
| Amis, Suzy |
Lizzy Calvert |
| Abernathy, Lewis |
Lewis Bodine |
| Cascone, Nicholas |
Bobby Buell |
| Sagalevitch, Dr. Anatoly M. |
Anatoly Milkailavich |
| Nucci, Danny |
Fabrizio |
| Barry, Jason |
Tommy Ryan |
| Stewart, Ewan |
1st Officer Murdoch |
| Gruffudd, Ioan |
5th Officer Harold Lowe |
| Phillips, Jonathan |
2nd Officer Lightoller (as Jonny Phillips) |
| Chapman, Mark Lindsay |
Chief Officer Wilde |
| Graham, Richard |
Quartermaster Rowe |
| Brightwell, Paul |
Quartermaster Hichens |
| Donachie, Ron |
Master at Arms |
| Braeden, Eric |
John Jacob Astor |
| Chatton, Charlotte |
Madeleine Astor |
| Fox, Bernard |
Col. Archibald Gracie |
| Ensign, Michael |
Benjamin Guggenheim |
| Brett, Fannie |
Madame Aubert |
| Goldstein, Jenette |
Irish Mommy |
| Roos, Camilla Overbye |
Helga Dahl |
| Kerns, Linda |
3rd Class Woman |
| Gaipa, Amy |
Trudy Bolt |
| Jarvis, Martin |
Sir Duff Gordon |
| Ayres, Rosalind |
Lady Duff Gordon |
| Rose, Rochelle |
Countess of Rothes |
| Evans-Jones, Jonathan |
Wallace Hartley |
| Walsh, Brian |
Irish Man |
| Taylor, Rocky |
Bert Cartmell |
| Owens, Alexandrea |
Cora Cartmell (as Alexandre Owens) |
| Crane, Simon |
4th Officer Boxhall |
| Fletcher, Edward |
6th Officer Moody |
| Anderson, Scott G. |
Frederick Fleet |
| East, Martin |
Lookout Lee |
| Kelly, Craig |
Harold Bride |
| Cooke, Gregory |
Jack Phillips |
| Tuohy, Liam |
Chief Baker Joughin |
| Lancaster, James |
Father Byles |
| Raven, Elsa |
Ida Strauss |
| Palter, Lew |
Isidor Straus |
| Thompson, III, Reece P. |
Irish Little Boy |
| Landis, Laramie |
Irish Little Grl |
| Waddell, Amber |
Cal's Crying Girl |
| Waddell, Alison |
Cal's Crying Girl |
| Truitt, Mark Rafael |
Yaley |
| Walcutt, John |
1st Class Husband |
| Forestal, Terry |
Chief Engineer Bell (as Terry Forrestal) |
| Lea, Derek |
Leading Stoker Barrett |
| Ashton, Richard |
Carpenter John Hutchinson |
| Nepita, Sean |
Elevator Operator (as Sean M. Nepita) |
| Connolly, Brendan |
Scotland Road Steward |
| Cronnelly, David |
Crewman |
| Wilton, Garth |
1st Class Waiter |
| Laing, Martin |
Promenade Deck Steward |
| Fox, Richard |
Steward #1 |
| Meaney, Nick |
Steward #2 |
| Owers, Kevin |
Steward #3 |
| Capri, Mark |
Steward #4 |
| Cass, Marc |
Hold Steward #1 |
| Herbert, Paul |
Hold Steward #2 |
| James, Emmett |
1st Class Steward |
| Byrne, Chris |
Stairwell Steward (as Christopher Byrne) |
| Page, Oliver |
Steward Barnes |
| Garrett, James |
Titanic Porter |
| Holland, Erik |
Olaf Dahl |
| Kinnunen, Jari |
Bjorn Gunderson |
| Falk, Anders |
Olaus Gunderson |
| Hub, Martin |
Slovakian Father |
| Adkins, Seth |
Slovakian 3 Year Old Boy |
| Dennen, Barry |
Praying Man |
| Urich, Vern |
Man in Water |
| Klingler, Rebecca |
Mother at Stern (as Rebecca Jane Klingler) |
| O'Neil, Tricia |
Woman |
| Dunn, Kathleen S. |
Woman in Water (as Kathleen Dunn) |
| Francis, Romeo |
Syrian Man |
| Marino, Mandana |
Syrian Woman |
| Van Ling, |
Chinese Man |
| Olsen, Bjørn |
Olaf (as Bjørn) |
| Pettersson, Dan |
Sven |
| Duffin, Shay |
Pubkeeper |
| Ellis, Greg |
Carpathia Steward |
| Morgan, Diana |
News Reporter |
| Hasler, Lorenz |
Orchestra Member (as I salonisti) |
| Füri, Thomas |
Orchestra Member (as I salonisti) |
| Szedlák, Ferenc |
Orchestra Member (as I salonisti) |
| Szedlák, Béla |
Orchestra Member (as I salonisti) |
| Giger, Werner |
Orchestra Member (as I salonisti) |
| Murphy, Patrick |
Steerage Band Member (as Gaelic Storm) |
| Wehmeyer, Stephen |
Steerage Band Member (as Gaelic Storm) |
| Other People |
| Director |
|
| Producer |
|
| Writer |
Cameron, James |
| Composer |
|
| Studio |
Paramount |
| Features |
| Language Tracks |
Spanish; French; English; German; Swedish; Italian; Russian |
| Subtitle Languages |
|
| Audio Tracks |
Dolby Digital 2.0 Surround; DTS 70 Mm; DTS; Dolby Digital; SDDS |
| Running Time |
194 |
| Aspect Ratio |
2.35:1 |
| Color Mode |
Color |
| Plot Summary |
When the theatrical release of James Cameron's Titanic was delayed from July to December of 1997, media pundits speculated that Cameron's $200 million disaster epic would cause the director's downfall, signal the end of the blockbuster era, and sink Paramount Studios as quickly as the ill-fated luxury liner had sunk on that fateful night of April 14, 1912. Some studio executives were confident, others horrified, but the clarity of hindsight turned Cameron into an Oscar-winning genius, a shrewd businessman, and one of the most successful directors in the history of motion pictures. Titanic would surpass the $1 billion mark in global box-office receipts (largely due to multiple viewings, the majority by teenage girls), win 11 Academy Awards including best picture and director, produce the best-selling movie soundtrack of all time, and make a global superstar of Leonardo DiCaprio. A bona fide pop-cultural phenomenon, the film has all the ingredients of a blockbuster (romance, passion, luxury, grand scale, a snidely villain, and an epic, life-threatening crisis), but Cameron's alchemy of these ingredients proved more popular than anyone could have predicted. His stroke of genius was to combine absolute authenticity with a pair of fictional lovers whose tragic fate would draw viewers into the heart-wrenching reality of the Titanic disaster. As starving artist Jack Dawson and soon-to-be-married socialite Rose DeWitt Bukater, DiCaprio and Kate Winslet won the hearts of viewers around the world, and their brief but never-forgotten love affair provides the humanity that Cameron needed to turn Titanic into an emotional experience. Present-day framing scenes (featuring Gloria Stuart as the 101-year-old Rose) add additional resonance to the story, and although some viewers proved vehemently immune to Cameron's manipulations, few can deny the production's impressive achievements. Although some of the computer-generated visual effects look artificial, others--such as the sunset silhouette of Titanic during its first evening at sea, or the climactic splitting of the ship's sinking hull--are state-of-the-art marvels. In terms of sets and costumes alone, the film is never less than astounding. More than anything else, however, the film's overwhelming popularity speaks for itself. Titanic is an event film and a monument to Cameron's risk-taking audacity, blending the tragic irony of the Titanic disaster with just enough narrative invention to give the historical event its fullest and most timeless dramatic impact. Titanic is an epic love story on par with Gone with the Wind, and like that earlier box-office phenomenon, it's a film for the ages. --Jeff Shannon
When the theatrical release of James Cameron's Titanic was delayed from July to December of 1997, media pundits speculated that Cameron's $200 million disaster epic would cause the director's downfall, signal the end of the blockbuster era, and sink Paramount Studios as quickly as the ill-fated luxury liner had sunk on that fateful night of April 14, 1912. Some studio executives were confident, others horrified, but the clarity of hindsight turned Cameron into an Oscar-winning genius, a shrewd businessman, and one of the most successful directors in the history of motion pictures. Titanic would surpass the $1 billion mark in global box-office receipts (largely due to multiple viewings, the majority by teenage girls), win 11 Academy Awards including best picture and director, produce the best-selling movie soundtrack of all time, and make a global superstar of Leonardo DiCaprio. A bona fide pop-cultural phenomenon, the film has all the ingredients of a blockbuster (romance, passion, luxury, grand scale, a snidely villain, and an epic, life-threatening crisis), but Cameron's alchemy of these ingredients proved more popular than anyone could have predicted. His stroke of genius was to combine absolute authenticity with a pair of fictional lovers whose tragic fate would draw viewers into the heart-wrenching reality of the Titanic disaster. As starving artist Jack Dawson and soon-to-be-married socialite Rose DeWitt Bukater, DiCaprio and Kate Winslet won the hearts of viewers around the world, and their brief but never-forgotten love affair provides the humanity that Cameron needed to turn Titanic into an emotional experience. Present-day framing scenes (featuring Gloria Stuart as the 101-year-old Rose) add additional resonance to the story, and although some viewers proved vehemently immune to Cameron's manipulations, few can deny the production's impressive achievements. Although some of the computer-generated visual effects look artificial, others--such as the sunset silhouette of Titanic during its first evening at sea, or the climactic splitting of the ship's sinking hull--are state-of-the-art marvels. In terms of sets and costumes alone, the film is never less than astounding. More than anything else, however, the film's overwhelming popularity speaks for itself. Titanic is an event film and a monument to Cameron's risk-taking audacity, blending the tragic irony of the Titanic disaster with just enough narrative invention to give the historical event its fullest and most timeless dramatic impact. Titanic is an epic love story on par with Gone with the Wind, and like that earlier box-office phenomenon, it's a film for the ages. --Jeff Shannon
84 years later a 100-year-old woman named Rose DeWitt Bukator tells the story to her granddaughter Lizzy Calvert, Brock Lovett, Lewis Bodine, Bobby Buell, and Anatoly Mikailavich on the Keldysh about her life set in April 10th 1912, on a ship called Titanic when young Rose boards the departing ship with the upper-class passengers and her mother, Ruth DeWitt Bukater, and her fianc�, Caledon Cal Hockley. Meanwhile, a drifter and artist named Jack Dawson and his best friend Fabrizio De Rossi win third-class tickets to the ship in a game. And she explains the whole story from departure until the death of Titanic on its first and last voyage April 15th, 1912 at 2:20 in the morning.
Written by
Anthony Pereyra {hypersonic91@yahoo.com}
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